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In this week’s podcast, IC Co-director Doug Weatherford speaks with Devin Glenn, one of IC’s amazing student employees, about what it’s like to work as an IC projectionist, about his responsibilities as producer of the IC podcast, and about the International Cinema Studies Minor.
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In this episode, IC co-director Doug Weatherford speaks with Marc Olivier about the iconic Japanese animated film Castle in the Sky as well as about animation generally in Japan and at International Cinema.
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Join Assistant Director of IC Marie-Laure Oscarson and Associate Professor Anca Sprenger discuss the history of Romanian films and why Collective is so special.
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One this episode of “From the Booth,” we take a look at the Winter 2022 lineup, and directors Marc Olivier, Doug Weatherford, and Marie-Laure Oscarson share their favorites in this coming semester.
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In this episode, IC directors Doug Weatherford, Marie-Laure Oscarson, and Marc Olivier discuss favorite moments from the Fall 2021 IC season and look ahead to Winter 2022.
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In this episode, From the Booth producer Devin Glenn speaks with Founder and Owner of Research-China.org, Bryan Stuy, about Wang Nanfu and Zhang Jialing’s One Child Nation and his role within the documentary. They discuss the issue of gender inequality within China, explore its codified manifestations, and delve into how these, in turn, impact the process of adoption from China and greatly complicate searching for birth families in China.
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Co-Director Doug Weatherford and Professor Greg Stallings discus famous film director Luis Buñuel.
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This podcast focuses on Undine (Christian Petzold, 2020). Professor Rob McFarland talks about the way layers of historical memory are embedded within our built environments. He related the folktale at the origin of the story in this film, so if you are not familiar with the film you may want to have the full surprise and watch Undine before you listen to the podcast.
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Join Co-Director Marc Olivier and Dr. Orquidea Morales discuss the history of La Llorona.
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In this podcast, IC co-director Marc Yamada talks about Yasujiro Ozu’s Good Morning (1959), the place of this film in the filmmaker’s work and in Japanese society.